posted
When doing an estimate for a job, how does everyone factor in an outline or a shadow? For instance, if someone wants to order simple vinyl lettering in one color, and then decides they want an outline or a shadow on it, how do you factor that into the price? It seems that the price should be close to double being you're basically doing everything twice.
I'm trying to fine-tune my homemade spreadsheet, and this seems like I could set up an easy formula for this sort of thing. I know some of you use Estimate and other programs, so I was wondering if anyone could give me a little hint as to how outlines and/or shadows are usually handled?
Thanks everyone. And Pierre, it was a pleasure to see your face here again.
Have a great night. Randy
-------------------- Randy Graphic Details Promotional Merchandise Distributor South Glens Falls, NY
Posts: 381 | From: South Glens Falls, NY USA | Registered: Mar 2001
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IMHO, outlines are no different than the letters themselves. You are using double the amount of vinyl and labor. Therefore, I charge accordingly. If a letter cost $1.00, then I charge an additional $1.00 for the outline.
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Thanks, Randy. I agree with Msr & Madame. Double copy..........double price.
-------------------- Pierre St.Marie Stmariegraphics Kalispell,Mt www.stmariegraphics.com ------------------ Plan on knowing everything before I die and time's running out! Posts: 4223 | From: Kalispell,Mt 59903 | Registered: Mar 2000
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posted
Would you folks charge double if you were painting the letters? Why should you have a different policy for different materials? Do you ever lay sticky back letters and pick up a brush to knock off the shade?
I add 70% for a second side and 40% for an outline or shade. Even with vinyl, the material should be a small factor in the price.
-------------------- The SignShop Mendocino, California
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Yes sometimes I just paint the drop shadow with vinyl letters. Doesn't take very long and looks nice. That way you can just add your time for the drop shadow.
Posts: 3729 | From: Seattle | Registered: Sep 1999
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posted
Thats assuming that some of us vinyl jockey's have enough talent with a quill or a flat to do a decent outline or shadow. Some folks don't.
Secondly, I sometimes use my Edge to print an outline or shadow directly onto the vinyl lettering. Just because I can do it cheaper doesn't mean I should charge less. The same goes for hand-lettering an outline and/or shadow.
posted
I charge 50% for outlines, shadows, or just each additional color in a particular project.
Yer already there doing the labor anyway and that little extra material isn't going to make that much of a difference.
If it's a reeeeeeaaaally small job like a 6" decal, yeah I could see charging double for it to make it worthwhile.. but if it's something like a 4x8, we're talking an extra what, $15-$20 worth of material and another 5 minutes to lay the shadow down?
OH OK, let's add the 10 seconds it takes to create a drop shadow or outline in the software, and don't forget the 35 seconds it takes to grab the roll of vinyl off the shelf and load the plotter. You certainly don't want to forget the 10 seconds required to hit the PRINT button. Add in the 10 minutes required to weed and apply the transfer tape, dont forget the $1 worth of transfer tape either. May as well toss in the 70 cents for the squeegee you used on the job too.
So there's an additional $38 worth of materials and labor. Yeah, that's worth double the cost of a 4x8.
-------------------- "If I share all my wisdom I won't have any left for myself."
Mike Pipes stickerpimp.com Lake Havasu, AZ mike@stickerpimp.com
Posts: 8746 | From: Lake Havasu, AZ USA | Registered: Jun 2000
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posted
Mike, Glenn and I were referring to double for the line, not the sign. Kinda treat it like excessive copy. Around here you're doing good to get fair prices let alone double.
I'm practicing on the painted shadow. Pat King showed me what a neat show it makes. Looks much more professional...except when I do it! I'll get there.
-------------------- Kathy Joiner River Road Graphics 41628 River Road Ponchatoula, La.70454
Old enough to know better...Too young to resist.
Posts: 1891 | From: Ponchatoula, LA | Registered: Nov 2000
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posted
Kathy, yes I know you were referring to the copy but my point is, the extra labor and materials still don't warrant a double price, you need to use your own judgement and work out a REALISTIC price.
Imagine getting a 53' semi trailer job to do in vinyl, then the customer asks you for a second color after the original $5,000 bid. Now you tell him the second color is going to bring his total to $10,000 when that second color adds at most, $500 to the job cost.
This does not sound right to me at all.
Yes, it's double the materials but no it is NOT double the labor. You are already there doing the job so you do not have the same "ramp-up" time/cost to get into the job that you had on the first color.
Once you actually get into the job, the rest of it sails by pretty quick... If there's another side to do on the job, it goes by quicker because you've already done the first side and now laying out the second side is faster. If there's a second color, you've already got the first color layed out so registering the second color takes mere seconds.
I have no problem with doubling the material cost on a job, you have to cover yourself there, but it simply is not twice the labor.
-------------------- "If I share all my wisdom I won't have any left for myself."
Mike Pipes stickerpimp.com Lake Havasu, AZ mike@stickerpimp.com
Posts: 8746 | From: Lake Havasu, AZ USA | Registered: Jun 2000
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posted
Hi Randy. I have a friend, Don Edwards, who uses this analogy when factoring the additional costs involved in producing any sign. Imagine that you're going into a Pizza place to order a pizza. Once you decide on the size you want, there are additional choices to make, such as which toppings that you'd like. In EVERY pizza place, NOBODY gives away FREE TOPPINGS. For each additional topping that you request, the price goes UP....never DOWN...and never for FREE.
It's exactly the same situation with outlines, shades, beveled letters or whatever. The more bells & whistles that your customer wants or specifies, the more value they're adding to the sign. If ever a customer wants a price reduction, ask them IMMEDIATELY what features that they're willing to forego. The quicker you can get them to realize that they're simply NOT going to get the SAME sign for less money, the faster they'll recognize that "haggling" is not going to result in them getting something for nothing.
It's really quite a simple concept; you get whatever you're willing to pay for. Now you just have to figure out what each individual "topping" is worth.
-------------------- Ken Henry Henry & Henry Signs London, Ontario Canada (519) 439-1881 e-mail: kjmlhenry@rogers.com
Why do I get all those on-line offers to sell me Viagara, when the only thing hardening is my arteries ?
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I agree and tell my customers the "Plain Cheese Pizza" price.All extra toppings are EXTRA! How much extra is what you consider your time is worth. As it has been pointed out,the material(vinyl/paint)is minimul.
-------------------- PKing is Pat King The Professor of SIGNOLOGY Posts: 3113 | From: Pompano Beach, FL. USA | Registered: Nov 1998
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I would think at least 70 percent to 100 percent on small jobs. If the job is larger such as Mike is referring to, it does make sense to me to consider his philosophy on that. I am figuring on the effect of a drop shadow on a letter to be double the visibility and appeal to the whole job, but to charge accordingly. And also, if only part of the job is shadowed, then the increase should reflect only toward those words shadowed or outlined also. I have a question, and don't know if I should post it here, so let me know if it would be in better taste to post it separately. Well here goes: I only have gerber softselect 6.2 that does NOT do shadows. It does have the outline distortion tools though. Been playing around with the idea of figuring out what the most inexpensive way would be to do shadows, without upgrading for 400+ in Gerber. Could someone suggest a program or technique to use to achieve shadows in vinyl? I don't want to paint in most cases on these. Would it be worth it to buy corel and import to Gerber plotter?
[ October 18, 2001: Message edited by: Deb Fowler ]
-------------------- Deb Fowler
"It's kind of fun to do the impossible - Walt Disney (1901-1966) Posts: 5373 | From: Loves Park, Illinois | Registered: Aug 1999
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posted
We had a software package that needed to know all of this, and it was kinda like the pizza, except it started out as a black or white intermediate grade of vinyl. From there everything went up in percentages, such as prem.vinyl, colors, outlines, shadows, extra small,specialty films, etc. You can find formulas that work really well. When Hand Lettering I factor pretty much everything by time.
-------------------- Rich Stebbing RichSigns Rohnert Park CA 707-795-5588 Posts: 755 | From: Rohnert Park, CA | Registered: Nov 1998
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posted
O.K. Mike, gotcha. You are right about the semi job scenario. Time to re-think! I can just see my face if a customer had asked that question. Hahaha
Ken, I like the pizza explanation and I just stole it from you!
Deb, I don't know if this would work in your program. For a shadow try making two copies of a line. Color one black for the shadow. Then put the other copy on top of it and drag it to the position you want. You could even size it differently.
-------------------- Kathy Joiner River Road Graphics 41628 River Road Ponchatoula, La.70454
Old enough to know better...Too young to resist.
Posts: 1891 | From: Ponchatoula, LA | Registered: Nov 2000
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posted
ok, i might take some heat for this one, since i'm not a very experienced sign maker... but i do have 25 years of sales experience to base it on...
the pizza analogy has a basic flaw: signs aint pizzas.
the pizza biz, for the most part, is a commodity business. the more units you can sell, the better -- and one pizzaria is pretty much the same as another. the low/middle end of the pizza biz is really competitive. every week i get 3-10 coupons stuck on my truck, in the door, mailed and handed to me to offer me EXACTLY what somebody said there wasn't -- FREE TOPPINGS. "$2 off a large - $3 off an XLarge".
i haven't received any flyers offering me $50 off a 4x8 or $75 off a truck door.
if you run your sign biz like a pizza shop then you're gonna be chasin after every last penny. sure - offer free shadows (using inferior vinyl that's been on the shelf for 3 years). buy two truck doors and we'll throw in the tailgate for free!
if you're a storefront sign shop, similar to the franchise shops, then YES, you need to double the line price for that vinyl. storefront shops ARE in the commodity, low end of the biz. they've got minimum wage people sticking pepperoni, i mean helvetica, on things. if you're in that business, its ALL about volume sales, and then you should be considering the drop shadow as a volume product (it increases the amount you buy, so you could buy more at a lower price).
for the REST of us... price on value, not on cost. the $5000 trailer probably already has the drop shadow figured in (otherwise it was a $3985 plus tax job).
you should double the cost of the vinyl when figuring the COST of the job, but not the PRICE of the job. the price is determinded by the perceived value PLUS the cost.
-------------------- :: Scooter Marriner :: :: Coyote Signs :: :: Oakland, CA :: :: still a beginner :: ::
Posts: 1356 | From: Oakland (and San Francisco) | Registered: Mar 2001
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You've introduced THE factor that elevates this thread to a whole other level - Are we selling by the pound (commodity) or by value. Two pretty distinct camps.
The VALUE camp will hold that 'little things' like adding a shadow make only a small increase in the selling price, if any, because the job already is in a price bracket that would allow such elements. And that bracket includes a pretty wide margin for artistic embelishment. The "magic" factor.
The COMMODITY camp figures selling price by much more rigid formulas and must rely on the 'add on' approach to offer flexibility. That's just as valid as long as there is a solid profit margin built into the base prices.
Know what I mean? It's either Base Price with options, or it's Bracket Price with room for flexing inside the bracket. I use a little of both in my selling, depending on the type of client and the type of sign being proposed.
posted
Hi Scooter. The key word in that explaination was "ANALOGY". Take from it what you will. It's nothing chiseled into stone. It's merely an attempt to explain, in terms that folks can easily relate to, why additional work SHOULD also involve additional cost.
PS: I wouldn't count too heavily on those pizza joints offering the FREE toppings staying in business for too long. That sorta practice lowers their profit margins no matter how they choose to slice it.
-------------------- Ken Henry Henry & Henry Signs London, Ontario Canada (519) 439-1881 e-mail: kjmlhenry@rogers.com
Why do I get all those on-line offers to sell me Viagara, when the only thing hardening is my arteries ?