(I’m sure this question has been asked a 1000 times or more)
I’m applying premium cast vinyl to “Dibond” panels
I have noticed this in the past especially with very smooth painted metal surfaces………….they seem very susceptible to bubbles………I laid it dry……I remove the plastic overlay film from one panel a day before applying vinyl. Read somewhere you should do this. On one exact same panel I just laid the vinyl right after removing the protective film & light wipe down……..used a new squeeegee too………..I got the same result with both panels.
Seems the smoother the surface the harder it is to avoid bubbles. Why would this be? What’s a good solution……I’m laying the vinyl the same as I would onto painted MDO or Coroplast?
My client will probably ask me “what’s with the bubbles” my only come back is “ you won’t notice them at 20ft in the air.
Anyone?
quote:
I remove the plastic overlay film from one panel a day before applying vinyl. Read somewhere you should do this.
Suggest you do not do "this".
You didn’t substantiate your comments. I removed the film on one Dibond panel the day prior to vinyl application and on another I did not. The result was the same……..bubbles. Fail to see how this (removing film or not )has any bearing. Still curious to know why you advise me not to remove the film a day prior to vinyl application. Perhaps there is some other reason?
bronzeo
Appreciate your comments………I don’t like laying material wet, and why do it if the results as you say is going to be one of two things (seems like a coin toss solution using a lot of solution)…….very few instances where I think wet application is necessary. A couple of months ago I did a truck, similar surface, different vinyl (automotive) application vertical, which I think is more difficult…….but very good results.
The other thing is:….. how do you lay a 24” x 96” piece of masked vinyl on a horizontal surface using the wet method (assuming one only has two hands) without getting the back liner wet……..cause you certainly don’t want to get the liner wet.
Jim
I’m not sure what you mean by all this” sometimes this stuff can be difficult to explain in words……………”let the vinyl roll off the transfer (do you mean liner rather than transfer) but rather keep the vinyl flat and roll the backing up off the vinyl, when the vinyl rolls I believe it stretches just enough to cause the bubbles.
This is what I’m doing: laying a 24” x 96” piece of masked vinyl onto a Dibond panel ( that’s a pre-finished aluminium PVC core panel). I apply it in one piece. First I hinge it, then I slowly pull the liner out squeegeeing as I go along, keeping the piece slightly taunt as I go……….I us this method with pretty much all applications.
I think I’m just going to experiment a little with scraps …….try different techniques
Thanks Folks
[ December 16, 2001: Message edited by: bronzeo ]
You’re right……….I tried the heavy fluid application with a piece (unmasked)……..worked well!
Now ………how do you apply fluid with masked vinyl, especially, with big pieces?. That liner can’t get wet. So you remover the entire liner after the piece is hinged?………if it’s a big piece, it has very little rigidity now, tends to fold in on itself and stick together……….maybe work in small pieces?, but maybe I don’t want to slice up my graphics……….The wet method is better, but definitely a slower method. Need to consider that when pricing such a job….. right?…………..Am I caughting on? or just going on ?
Thanks for your time & help
[ December 19, 2001: Message edited by: bronzeo ]
[ December 19, 2001: Message edited by: bronzeo ]
The reason I say that is: I almost never have a helper. I can't effectively manage anything over 3' wide without a helper, so I cut it up into narrower widths. If it can't be cut (as in stripes) and I can't get help, I HAVE to wet it. But I almost never hinge. I'm tempted to say never, but I can recall at least once in my career I did, and it worked ok, just not my cup of tea. (Still one time out of thousands is pretty close to never). I have not experienced smoothness of the substrate making any difference in formation of bubbles. Granted, premium, cast vinyl is a lot more demanding than calendared. It's a challenge for anyone to apply dry and be completely bubble free. I suspect it's got more to do with your hinging preference, your choice of squeege or possibly your squeege technique.
Don't worry too much either way - all air bubbles will outgas and completely disappear in a relatively short period of time. (couple weeks).
[ December 16, 2001: Message edited by: Joe Rees ]
[ December 16, 2001: Message edited by: Joe Rees ]
Jack's method works really well as I use it all the time. I don't know why you need the transfer tape though. Seems like waste of materials. Just flood back of vinyl with plenty of fluid & squeegee down. Work as rapidly as possible. If your squeegee is smooth you shouldn't damage surface. As for telling the customer anything about the bubbles, with premium vinyl they'll all be gone in a few days. You can poke them to release some moisture & that may help, but in day or two they all will disappear anyhow.
If you have any work already done, check it to see if bubbles are still there. If you used premium they're probably gone.
But before you squeegee vinyl spray some fluid on top side also. This will help prevent scratches.
When using hinge method, do one side , retape side done & immediately work on side which still has backing. If done fast enough, you shouldn't have any problems with soaked backing. Spraying works best with applicator which puts out a mist.
To answer how to keep large areas from overlapping & adhering to itself, keep it wet until application. Respray it as often as needed. This may be a waste of application fluid but what would you rather waste?
[ December 16, 2001: Message edited by: Bill Cosharek ]
Roger
quote:
how do you apply fluid with masked vinyl, especially, with big pieces?
Obviously, pieces this large cannot be done by one person. But I have been able to successfully lay 4'x10' graphics by myself using the same method, that is, using a center hinge and removing half the liner at a time. I have even done pieces this big on vertical facias without help, though it is slow and wind can be a problem. Using a scissor-lift or some other scaffolding makes a big difference.
Incidentally, masking a 4'x90' piece of vinyl is quite a trick in itself. It usually calls for four sets of hands and has to be seen to be appreciated.
Brad in Kansas
Thanks Folks
I used to be a hard line dry man, but I’ve shifted ……..I’m a moderate wet man now. Perhaps I always was a wet man, trapped in the body of dry man……..never-the-less I’m please with the results. Got to admit it’s bit more time consuming, but the results are well worth it…………..besides I really enjoy the smell of Rapid Tac and a little nip before bed is most enjoyable………..it is ok to drink ….right?……. Roger?
[ December 20, 2001: Message edited by: John Martin Robson ]
Its really a sign of inteligence to know when to switch.
Roger